![]() ![]() ![]() ![]() “I just feel like there’s something I want to express and I’m trying to find a way to express it. “They’ve always kind of been in tandem,” he says about his art and music. Here, Schneider-who’s been making art for as long as he’s been making music, and who also made the covers of the three previous Lord Huron albums-takes us through a selection of the artwork he created to bring that other dimension so convincingly to (after-)life. It’s a way to add depth and texture to something without having to fill in all the details-you can kind of hint at it, and I think people’s imaginations do the rest.” “We wanted it to feel like there’s this parallel world alongside ours where these people actually existed and were making music and somehow the threshold between these two worlds is flimsier today than it used to be, so we can kind of view in there. ”It’s as though you’re peering into an eBay from another dimension,” says Schneider. They even created some fake ephemera-articles of clothing worn by the Phantom Riders, or drumsticks used by Hefty Lefty-for fans to seek out on the internet. They also invented a number of the bands and artists they imagined might have recorded at Whispering Pines in order to uncover its mysterious past and undo the persistent and ineluctable destruction of time. Adding to their already meticulously constructed lore, Lord Huron, for this album, created a fake public access show called Alive From Whispering Pines hosted by Tubbs Tarbell, the ghostly caretaker of the studio. Lord Huron have summoned those spirits for Long Lost, but not just through its songs. So we just started imagining these people and their backstories and their music and what they were doing in the studio.” It was abandoned for about 25 years before we got in there, but it feels like there are spirits hanging around there from whoever’s been through there. We were curious about the history of it-we found a little bit of info about it, but it’s kind of sketchy in terms of who was in there. “It’s kind of a time capsule-it was built some time in the ’70s, and it still looks that way. “We’ve been working at Whispering Pines for the past seven years or so,” explains Schneider over Zoom. Really, the Los Angeles four-piece-who formed in 2010 and are headed up by Ben Schneider-have created their own time-space continuum, a truly immersive parallel universe centered in their very real Whispering Pines studio, but spanning a mysterious history there that predates their involvement in the place, and in which the past and the present, reality and fiction, all collide and coexist as one. It’s much bigger and more complex than that. It’s an album that’s alive with the ghosts-literal and metaphorical-that haunt us every day yet to call it an “album” is to do it a disservice. That idea, on a very basic level, is the concept and inspiration behind Lord Huron ’s magnificent fourth record, Long Lost. ![]()
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